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Seven Sisters Collection Page 5


  My stomach rumbled, and I glanced at my watch. It was past one; Chip, the IT guy, the maintenance team and Hollis Matthews would undoubtedly be returning from lunch at Mama’s, a nearby eatery on Dauphin Street. I secretly hoped that they had ignored my earlier protest and had taken the initiative to bring me back a snack, but I didn’t count on it.

  I felt in my pocket for my tiny but powerful LED flashlight and climbed up the wooden staircase. The contractor had assured me that the staircase was in good condition and could be safely used. The occasional twinge on my scalp hoped he knew what he was talking about.

  I stepped lightly on the bare wooden floors, ignoring the squeaks and complaints of the old staircase. My sweaty ponytail hung limp in the stifling heat of the upper floor. TD promised that cool air would be flowing up here by tomorrow, and I hoped he was right. I couldn’t ask my team to work in this oppressive heat. I quickly climbed to the top of the stairs and walked to the two large windowed doors that overlooked the back of the property.

  I was surprised to find that the locks were modern, and I opened them without much fuss. I didn’t feel brave enough to step out on the veranda; instead, I stood in the hallway breathing in the fresh but humid air and examining the forgotten gardens below. It was a dismal sight.

  Forlorn rows of shrubby trees, half-hidden statues and a few small dilapidated buildings dotted the landscape. It looked less hopeful than the house. Large magnolia trees spilled white blossoms all over the ground and obscured what appeared to be a large sundial. Not good planning there, I thought. A massive wisteria vine crawled over whatever it could find, covering camellias with cascades of purple flowers and thick, brown vines. Was that a grave or a stump? I looked closer, keeping my sneakered feet safely in the hallway. Clustered in the center of the main yard was an abandoned rose garden with scrawny bushes and clumsy limbs. Despite the sound of a nearby car horn and the hum of the generator below, I felt very lonely standing on the second floor of Seven Sisters. A thick aroma of decay rolled up from the gardens, an unsettling fragrance of rotten leaves and wood. This was certainly not the pleasant view that the young woman in my dream had enjoyed. In her time, smooth lawns, flowering hedges and white-painted benches and lattice filled the landscape. It was disappointing that what was once elegant and ordered was now overrun and lost beneath a solid layer of chaos. Sadness washed over me. I couldn’t help but think of Muncie, so young and hopeful despite his bleak reality.

  With a sigh, I turned my attention to the stacks of boxes and plastic tubs that lined the walls and filled some of the rooms. Walking from room to room, I could see it was a work in progress, but TD and his crew were obviously talented. I loved the colors they had chosen. One of the bedrooms, the one closest to the left side of the stairs, was painted a vivid blue. The massive windows were surrounded with intricate wood molding, obviously new and painted a rich cream color. The floors were a dark walnut wood, and a chandelier sparkling with crystals hung from the ceiling. Of course, electrical lights instead of candles crowned the fixture. Except for allowances for modern building standards, it was as authentic as it could be.

  I pulled on my cotton gloves and rifled through a few boxes. I unwrapped a fine porcelain piece, a perky bird resting on a branch. “This will look lovely on a mantelpiece,” I said to myself. Wrapping it back up carefully, I put the lid back on the storage box. I rummaged around like a child at Christmas, careful not to undo the cautious work someone had done packing these precious artifacts. Each one had a story, a reason for being included in the collection. I continued my wandering until I came to a small box in a corner of a small bedroom. I had to prop the door open; it was heavy and wanted to swing closed. This was one room that had intact shutters, and there wasn’t much natural light. I pulled my flashlight from my pocket and tossed the beam on the box. It was dusty and cardboard, and it didn’t seem to belong with the neat plastic tubs and crates.

  I pulled back the flaps and saw a box of papers. Digging through the box, I found letters from the late Mrs. Stuart to the Tennessee State Museum, inquiring after several items. I set the letters to the side and kept digging. At the bottom of the box were several leather-bound journals. I lifted one and rubbed my gloved hand across the cover. The engraving was worn away, so I couldn’t read it in the low light. Suddenly, a shadow passed across the doorway.

  “Hello? Hey, I’m in here!” I called out. I assumed it was Chip or maybe even Matthews. It was impossible to hear a car approach up here. I placed the book back in the box and stepped into the hallway. As I crossed the doorway, the door to another bedroom down the hall slammed shut. Surprised, I called again, “Hello?”

  I took the gloves off and clutched the flashlight, then tried to walk quietly (and bravely) to the closed door. The creaking floorboards gave me away. I stopped at a loud creak and said a little more quietly, “Chip? Mr. Matthews?” Nobody answered, but I could hear the shifting of furniture and the soft jangling of music from behind the closed door. I took a deep breath and walked quickly to the door, turning the knob with force. It wouldn’t budge. “Chip? TD?” I asked as I fought with the knob and tapped on the door. The music stopped, and suddenly the knob turned easily.

  The room was bright and sunny but cool, cooler than the rest of the house. It was completely empty. I stood in the center of the room and spun around; there were no other doors except for the way I came in. “Okay, Carrie Jo, get real. It was a draft, or a crooked door that decided to swing closed.” I breathed deeply and realized I was squeezing the flashlight furiously. I tucked it in my pocket, unable to fight the fear that crept up my spine. I felt the urge to leave, and quickly. I walked around the boxes, kicking a music box that was lying on the floor. The toy issued a few complaining strains and quit. I picked it up and turned it over in my hands. Okay, I thought, trying to calm my mind, I must have left this out because I was just in here. But I knew I had never seen it before. I set it on a nearby plastic storage tub and left, walking straight downstairs. I was happy to hear voices—voices of the living—in the foyer.

  The incident upstairs shook me. I steered clear of the area for the rest of the day and worked on prepping some room layouts instead. By the end of the afternoon, I remembered the box with the leather-bound journals and (like a miserable coward) sent Chip upstairs to retrieve it for me. I declared it too heavy for me to carry and asked him to bring it to my makeshift office. He complied, happy to help with something besides computer work. He delivered it with a smile, obviously not chased by ghouls and goblins. On an impulse, I took a journal from the box and decided to take it home with me. I was curious to read it but more than ready to go home.

  Later, I took a walk and snacked on the stuffed fried shrimp po’ boy I’d bought. As I walked, I felt a tinge of sadness. I had hoped that Mobile would be a new start for me. No dreams, no screams and no one to peer at me. I tried to shake off the feeling of regret, sure I was being too dramatic because I was tired. Certainly I had imagined half of what I thought I’d seen, right? I climbed the stairs to my apartment and waved at Bette (who seemed to witness all my arrivals and departures). On the porch was a box with my name on it. It was wrapped with shiny red paper and had a gold “Emogene’s” sticker taped to the front. A card lay on top, with my name printed in large, scrawling letters. I picked up my package and went inside, thankful that I was able to shut the door behind me for the day. I slid the elegant card out of the crisp envelope. A whisper of expensive cologne told me who it was from before I read the card. The card read: “Good luck on the new project. I know Seven Sisters is in good hands.” Instead of signing his name, Ashland had written a big, elaborate “A.” I opened the box to find a bouquet of exquisite flowers including Indian pinks, Irises and sweet tea roses. I breathed in the fragrances with a smile, locking the door and tossing my purse on the desk. I looked for a vase and found an empty Mason jar in the kitchenette. I filled it with water (still smiling) and slid the bouquet in. It was a thoughtful gesture, and I tried not to read too much i
nto it, but it was the first time in my whole life that I had received flowers from a man. I set them on my nightstand and headed for the shower.

  I needed to wash away the fear and anxiety. “I was the right woman for this job,” I told myself, wishing I felt as confident as I sounded. “Ugh, I hope I know what I’m doing.” As I slipped on my nightgown, I did feel a little better. I turned on the radio and listened to music until I began to feel sleepy. That was sooner than I expected even though the room was getting warm. I flipped off the radio and stretched out, feeling frustrated in more ways than one, kicking away the comforter. I slept probably a half hour, but I tossed and turned frequently and woke with snippets of dreams rolling around in my head. Some were my own, some were just memories, and there were others still that I wasn’t sure about.

  Restful sleep eluded me. My cozy room was too humid and warm tonight. I flipped off the window air conditioning unit. It wasn’t blowing cool air at all. I opened the windows, but the warm air hung like a wet blanket. I had a long, hot summer ahead of me in Mobile. Sleeping in a flimsy nightgown had not cooled me down. Maybe ice water would do the trick; I padded to the kitchenette to get a glass. On my way back to my hot bed, I picked up the book I had left on the desk when I came in. It felt cool in my hand. I rubbed the edge of the worn book, knowing I should wear gloves but unable to bear it in this heat. I flipped on the bedside lamp and sat on the bed. Reading by the dull moonlight that streamed in from the porch was impossible. Although some of the ink had faded, the writing was intact, with delicate letters. I could see the author’s name penned in the upper right corner of the first page. The journal belonged to Calpurnia!

  She was long gone now, like Muncie. I pulled the sleek brochure out of the folder that Hollis Matthews had sent me. This was her! She was Calpurnia Cottonwood, the girl on the cover. I looked at the picture closely under the lamp. It was certainly her. I would recognize those almond-shaped brown eyes anywhere. They had an innocent downward slant, making her appear even more youthful than she was. In the photo, which was obviously of an oil painting, her back was turned to the artist. She looked back with a slight smile. She held a book, but the print was too small to read. I studied the girl’s face, amazed that I had seen it warm and alive, flushed under the attention at a candlelit dinner party. The photo was a near likeness, a shadow of the nervous girl who struggled under the weight of an intricate hairstyle, voluminous skirts and (I suspected) the heaviness of life. I tucked the photo back into the folder, like she was a hidden treasure. “Calpurnia,” I whispered into the hot Alabama night. I wanted to devour the book, read it page by page, but I was suddenly very tired. Perhaps the humidity and heat had stolen my energy.

  I remembered the oscillating electric fan in a nearby closet and placed it near my bed. I set it on high and pointed it in my direction. After pouring myself another glass of ice water, I went to bed with the book. Soon the fan had cooled me down, and I began to feel sleepy. I had no idea that in my hand was a key. A key that would take me back in time again, back to Seven Sisters, back to Calpurnia and Muncie. As I closed my eyes, I felt myself drifting to a different time and place. I did not feel afraid. Perhaps I should have.

  Chapter 8

  My face shone strangely in the mirror, like a disembodied head, floating in the amber light of my bedroom. I hated the coiled hair piled upon my head. I looked like Medusa, the disgusting Gorgon doomed to life without love; my braids like forbidding snakes, keeping everyone away. This is what Mother wanted. I stuck my tongue out at myself, screwing up my face in an ugly look, in a defiant protest against the universe. Of course, I was not defying Mother. I’d never defy her. She was the one who had insisted on this debutante charade.

  “Calpurnia, every young lady sits for a painting at your age. You’ll thank me someday. Why, you’re in the rose of your youth, and you’re so lovely.” Mother had cradled my chin lovingly, speaking softly down to me as I sat pouting on the edge of my lace-covered bed.

  Compared to my mother, I felt like an old spinster, although I was sixteen—well, almost sixteen. Mother was petite with delicate hands that she kept folded in her lap when she reclined. She had smooth, dark blond hair, lively brown eyes and a tiny mouth that wore a permanent smile, without an excess show of even, white teeth. Even now, with her swollen belly and red cheeks, Mother was the picture of feminine perfection. My figure, on the other hand, maintained its childlike shape, straight like a hickory branch with no curve at all.

  Downstairs, waiting impatiently in the ladies’ parlor, was the insipid Reginald Ball, aspiring artist and some sort of distant cousin on my father’s side. Except for his limited enthusiasm for art, he was a bore with vacuous eyes who never wondered about anything beyond the arrival of the next plate of sweets. Still, I felt a tinge of sympathy for the rotund Mr. Ball. He would always be what he was now—the bumbling son of an elegant gentleman who made no secret of his disappointment in his progeny. At least Reginald Ball had given up his feeble attempts at courting me; now we observed an easy quiet during our sketching sessions. I was quite the better artist than he but was too much of my mother’s daughter to tell him so.

  In the beginning, before I met him, I had secretly hoped that I would like him, maybe even love him. But that was not to be. “Strange,” I told Muncie later, “artists typically have an overabundance of joie de vivre. They’re searchers of the beauty in the world around them, full of artistic curiosity.” I suspected that Mr. Ball’s sole interest in art was merely to make a living. Had he been full of turmoil or offered even a single controversial thought, I could have overlooked his swelling stomach, round face and piggish black eyes. Reginald Ball had truly been an intellectual and romantic disappointment.

  After the convening of the first sketching, my hopeful mother closed ranks on me, discreetly asking for details of our conversation. (Heaven knows why she bothered to ask since Hooney, her servant, had sat watching over us the entire time.) The dark-skinned woman had absently plucked at the threads of the small pillow she was working on, presumably for the new baby, quietly clucking at me when I’d behaved rudely or indifferently toward the boring Mr. Ball. Exasperated, I told Mother, “He’s a dreadful bore, and he licks his fingers after he eats.”

  My aloof father, during a rare moment of felicity toward me, had paid for the portrait in advance so that I might have all the advantages of my less wealthy but more socially skilled neighbors. Safely married and out of the way for the son he hoped he would finally have, I assumed. He brushed his sunburnt lips against my forehead after he bestowed his unwanted gift on me. I was careful not to make any gesture of unkindness toward him or to refuse him. I had sealed my heart off from my father many years ago. He was a cruel man who liked drinking corn whiskey, the spirits the slaves drink, and then lashed anything that got in his way, even Mother and me if we were unfortunate enough to cross his path.

  If he had always been cruel, my heart would not struggle so, and it would be easy to keep him out. But I remember a different father. One who held my little brother with tears as he left us for heaven; a father who used to bring me soft rabbits for pets and trinkets from his trips to New Orleans. I don’t remember the day that kind man disappeared, but it happened many years ago. That man was long gone. Happily, he rarely stayed at Seven Sisters, preferring traveling his properties; he said it was to manage our many businesses. He came home long enough to make my mother cry and to walk the pathways of the garden with his purposeful, no-nonsense stride. Then he was off again, leaving Mother and me the run of the house and the property for however long his latest trip would take him.

  In the past two months, I had endured day-long sittings with the painter. As a quiet protest, I took particular delight in tormenting him by making slight modifications to my attire before each sitting. Changing my hairstyle or the silk coral dress with the fitted bodice and ribbon sleeves was out of the question with my observant mother. However, I did manage to make small changes, like exchanging my coral pendant on the gold ch
ain for the jade choker or sliding a flower behind my ear. The awkward Mr. Ball spent a good half hour at the beginning of each sitting, fussing over his sketches before deciding how to best correct them. The results were predictable. Dead set on proving himself worthy of his subject, he behaved like a gentleman, never scolding me or acknowledging the changes openly. The game became boring over time. In matters of mediocrity and passivity, Mr. Ball had proven a winner.

  Today, in honor of our last sitting, I wore the ivory combs with the painted roses in my hair—a gift I had received in the post a few days ago along with a note promising that by tomorrow evening, my favorite uncle would be here, at Seven Sisters! Along with the package arrived an assortment of trunks and boxes, much more than my Uncle would need during his stay. I suspected the trunks held gifts, perhaps mementos of his many adventures. Or maybe they belonged to an exciting guest.

  Uncle Louis would be with us by dinner tomorrow and would stay with us for the rest of the summer. Perhaps this is why my father had decided to tour our land; he frequently and quite loudly denounced Uncle Louis, his wife’s brother, as a proud man with more money than brains. Mother and Father had shouted loudly at one another before he had left again, this time taking only Early with him. I hated my father’s petty jealousy over Uncle Louis. Tall with an elegant, pale radiance, my uncle towered over my father. He adored speaking French and frequently sent Mother and me books of poetry and collections of stories that we both relished. I had not laid eyes on my fair uncle for well more than two years. He was so busy traveling, acquiring new things, seeing new places. Oh, how I longed to leave with him, to see the world beyond the red dirt roads that encircled Seven Sisters—roads to my prison! I thought often that I would die here, finally stuffed inside the stone crypt along with my dead siblings. A quiet voice from deep within my heart promised that this would not be my fate.